Friday at Glastonbury

Friday was a crazy day at Glastonbury with a truly awesome line-up at every stage. The headline act on the Pyramid stage was of course Arctic Monkeys. They may have question marks about their musical and technical originality and innovation  which have not gone away with their new single, but they are a class act live and the band played a seamless set of old and new in which their sound was immaculate and Alex Turner had the crowd in the palm of his hands, especially with the string version of Mardy Bum. The whole showman gag was a bit daft but if you were an Arctic Monkeys fan then this set will have had your eyes glazed over and had you foaming at the mouth. For everyone else, you could appreciate a well oiled machine efficiently churning out hit after hit. Miles Kanes appearance was a bonus for the closing tune: 505. Anyone else was enjoying the Disco legend that was Nile Rodgers who was headlining the West Holts stage who has certainly attracted a fresh generation to his music thanks to his work with Daft Punk. ‘Get Lucky’ was just another song to add to his long list of hits which he played out with Chic. Also on the West Holts stage was Seasick Steve who also put on an excellent performance with his make shift instruments and with contributions from John Paul Jones on the bass. Foals played a decent set before Portishead came and captivated their audience in a very different way to the Arctic Monkeys.Headlining the Park Stage were The Horrors who as always played a dual set filled with moments of energy and consideration. Many flocked there to catch the odd new track off their always massively anticipated new album later this year. One or two were played but they are unamed as of now. They closed as usual with the drawn out frenzy that is ‘Moving Further Away’ and were a success like their fellow headliners.

However Crystal Castles on the John Peel stage were not. Their set was just 40 minutes and started 20 minutes late. Everyone usually revels in Alice Glass’ insane actions but the crowd were left a little cold after she mimiced strangling herself with the mic wire, apparently fainted and didn’t come back for an encore. Bastille gathered a large crowd that went beyond the tent for their set on that very stage ealier on in the day. However the crowds were even bigger for the 21st century mod that is Miles Kane. Wearing a Union Jack harrington jacket, Miles is perhaps one of the only people at Glastonbury who can pull off wearing a flag or wallpaper. Everyone else can forget it. He played a set full of urgency and raw energy as he switched from old to new in effortless fashion. He was joined by Alex Turner for a Last Shadow Puppets number for which Miles returned the favour later on. Alt J attracted a much bigger audience then perhaps everyone was expecting, including themselves as they played out much of their debut album.

Jake Bugg was at ease on the Pyramid stage in the afternoon with two new tunes and a cover of Neil Young’s ‘Hey Hey My My’ Even earlier than that were Haim in theif first appearance at the fesitval while Beady Eye were a little low key in opening the days proceedings. The Vaccines too, gathered a large crowd to showcase their two albums and their new track ‘Melody Calling’. Savages produced a faultless and high octane performance at the William’s Green stage and they smashed through a set that featured hits from their excellent album: Silence Yourself. That experience will be bigger and better today when they take on the John Peel stage. Tame Impala put on a great glam-psychedelic masterclass of which ‘Elephant’ was the centrepiece. Their deep sound would have better showcased in the John Peel tent but it was great nonetheless. Ghosts certainly turned a few heads with their mixture of sounds and face masks. After all that no one seemed to remember acts like Rita Ora who was certainly put in her place in being one of the only plastic pop acts presnet against a fantasic backdrop of a variety of skilled musicians from various genres. Expect the same today!

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