Musicandotherthingz Best Album of 2016

Our final and biggest category had a wide spread of votes for all the albums featured on it and this is testament to the closely matched level of excellence from all of our nominees on the long list. This meant a lot of them came close to reaching the top of the voting pile with Childish Gambino’s late addition, Kendrick Lamar, Radiohead, Blood Orange Paul Simon and Frank Ocean all getting close, but not as close as our top three who feature in descending order. 

3. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service (11.11% of the vote)

As Q-Tip suggested, this will be the groups final album and was only recorded because of their anger and dismay at the world around them. Their sixth album was started in secret just after the Paris attacks and completed in November this year at the peak of this dismay. With a long list of collaborations and excellent, diverse production, they were able to produce an album as relevant as ever and a defiant shout of unity amongst a nation and a world that’s tearing itself apart. If that is their final album, it’s an album that will be rated as one of their best. 

2. Christine and the Queens – Chaleur Humaine (18.00%)

Since she’s featured so highly in almost every category she was placed in, you are probably very familiar with all the superlatives attributed to her. She is a magnificent performer, lyricist, vocalist and producer and throughout her debut album, there are no points of weakness. Each song is its own beacon to a particular set of thoughts, set to slick and ambitiously minimalist music or gracefully arranged pieces. The album is bursting with emotion and eccentricity in equal measure and this is perhaps key, for these two traits are often so divorced from each other, yet she winds them together with style and confidence. 

1. David Bowie – Blackstar (22.22%) 

Bowie left a terrifying and wondrous parting gift to the world with Blackstar. It was an album made up of complex fusions, melodies and rhythms as if the creation of a mad scientist of which Bowie must serve as the closest musical equivalent. What’s more intriguing about the album, and this is something not widely picked up on, but it’s his most personal album. Amidst the great characters and stylistic personas of that thread through Bowie’s career, his final album showed him to be just as vulnerable, scared and curious as the rest of us. Amongst all of the seemingly invincible and otherworldly alter-egos, Bowie playing the role of a mere human is perhaps the most powerful character of all. 

Owen Riddle 

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