This Weeks Music Video with New Order, FKA Twigs, Chvrches, Weezer, Georgia & Bleached

 

 

 

 

 

 

 

Single Review – FKA Twigs – Good To Love

With her sublime debut LP1 and daring EP M3LL155X from 201nd 15 respectively; FKA Twigs has shown she is perhaps the brightest new talent in British music right now. She has previously embraced experimentation, abrasiveness and sheer style in her music and with her new single ‘Good To Love’ there is a lot of style. In this rather simple arrangement, she is able to demonstrate to perceived fragility she can convey in her vocal with sudden transitions to more powerful tones. The thinly spread piano chords and soft edged production as a whole only serves to compliment the vocals further. Despite being understated, the music still generates graceful progressions and intricate transitions. This song is all about FKA Twigs the first class vocalist however, of which there’s no denying.

Owen Riddle @oriddleo1995

Arca – Mutant Review

Alejandro Ghersi is a London based Venezuelan record producer and DJ better known by his stage name Arca. Having worked with artists such as Kanye West, producing 4 tracks on his ‘Yeezus’ album, as a producer for FKA Twigs on ‘EP2’ and co producing Bjork’s ninth album ‘Vulnicura’, Arca has now turned his attention to his own production work. Released in November 2015 on Mute records, ‘Mutant’ is Arca’s second full-length album following on from Xen in 2014.

Ghersi’s work as Arca is often defined above all by its fluidity and flexibility, drawing on numerous styles to create a deeply organic sound that has become synonymous with the Venezuelan producer. The album opens up with the fast paced, twitching synths of ‘Alive’, a track which never seems to stay still or settle into a traditional rhythm, bouncing around without a clear linear passage to follow. Track lengths vary in length from over 7 minutes in the dystopian vision of the second track ‘Mutant’ to under a minute for tracks such as ‘Beacon’ and ‘Siren Interlude’. The whole album is one centered around the capabilities of electronics and the sounds they have to offer, whilst avoiding the traditional concepts of electronic music such as its hard drum beats, whilst simultaneously offering a more experimental, perhaps almost ambient presentation in its layout and construction. The album consists of 21 songs, so not the average amount for a stereotypical album, with the tracks feeling more like one long suite instead of 21 individual tracks. The album and sounds throughout show a clear experimental concept, songs seem to merge in between one another with no clear linear vision of where the album is headed. Tracks such as ‘Umbilical’ offer cold hard electronics with repeated vocal loops seemingly the only connection to life on planet earth. The album doesn’t adhere to the stereotypical concept of what an album should be, offering up a small slice of the strange accompanied with experimental electronics and warped sounds. The whole album isn’t an easy listen, it does however feel alive, like a living thing, vibrant, different strange, and slightly surreal to listen to. There is a sense of the extreme; everything from the layout, to the sounds, to the concept of the album feels different to what should be expected from electronic music. Ghersi certainly isn’t following any ‘How To’ manual when writing and producing his work, blurring the lines between experimental sounds and the capabilities it holds, pushing the boundaries of the listener’s expectations. The whole album feels a distorted and removed from reality, a concept that works very well, to some extent the album may not be an enjoyable listen in the traditional sense of melodies and hooks, but it does offer up an alternative style that pushes the boundaries of electronic music.

Mutant is out now on Mute records.

Arca – Mutant = 8/10

 

 

Matthew Kay

This Week’s Music Video with Tame Impala, Lana Del Rey, CHVRCHES, Hot Chip, FKA Twigs, Metric and FIDLAR

FKA Twigs – M3LLI55X EP

This surprise new EP from the renowned FKA Twigs is a welcome addition to the year’s music from an artist who was one of the refreshing highlights of 2014’s music with a truly modern approach to music and with her new EP M3LLI55X is just as innovative and creative. Songs such as ‘figure 8’ feature similar structures to her LP1 debut, but with the samples and beats reaching greater depths and distortions for an all round darker and more disconnected sound to produce peculiar melodies and rhythms. ‘in time’ features a soft, bouncing rhythm offset chiming and wiry sounds in a stop/start progression smoothed over with spaced out percussion and Twig’s cautious and delicate vocals. ‘I’m your doll’ highlights crisp beats snapping and breaking as a means of driving the songs instrumentation with her vocals shifting though them as she offers up the lower end of her vocal range to add power to the track amongst the heavy percussive elements.

‘glass & patron’ is centred around by a sparse bell percussion and a swarming piece of electronica rising from behind in what is the most experimental track on the EP with her vocals being moulded into the instrumentation whilst ‘mothercreep’ drives forward via a warping piece of electronica accentuated by a light beat as the song falls away in a delayed trap-drop style as Twig’s vocals hit their melodic peak in a divulging harmony. The EP is a proof that not long after the critical acclaim of her debut, she is still generating challenging and innovative sounds.

Owen Riddle @oriddleo1995

This Week’s Music Video with Blur, Florence and the Machine, FKA Twigs, Modest Mouse, Earl Sweatshirt and The Go! Team

Top Ten Albums of 2014!!!

This year has been an excellent yeah full of skilled musicians and many masterful albums. Unlike in 2013 the mediocre has been pushed aside by the sheer mass of talent on display. Everyone from the emerging artists, legendary names and artists fully coming out of their shell to maximise their full potential have all made 2014 a year to remember; so much so that albums from artists such as Black Keys, Broken Bells, Temples, Mac DeMarco, The War on Drugs, Kasabian and more have all failed to crack the top ten when any of their albums would have done so in 2013.

10. Julian Casablancas & The VoidzTyranny

Julian Casablancas is a man who has already sought claim and success with The Strokes over a decade ago and also received recognition for his debut solo album back in 2010 which ultimately culminated with the accomplished ‘Instant Crush’ single in collaboration with Daft Punk. For 2014 he teamed up with the self made Voidz and intended to break down all barriers to experimentation as he combined a multitude of sounds and methods with the only piece of continuity being the fuzzy and murky recordings. Despite some aspects not gelling together; most of the album worked in a refreshing and eye opening fashion. With a little refinement and the odd tweak we could have been talking of Tyranny as number one on this list.

9. Damon Albarn – Everyday Robots

Full of mystery, intrigue, reflection and honest cynicism. An album that remains slightly lost in the thoughts and feelings of Damon Albarn, but what a place to be lost in. It flows or even trickles along from one song into the next and through peeks some moments of real beauty, but considered beauty that doesn’t require a big ‘Michael Bay’ style conclusion. It requires a considered and thoughtful person to listen to an album from a considered and thoughtful man (oh and one hell of a musician too) For a debut album too? Remember the name…. he’ll go far this one….

8. The Horrors – Luminous

Luminous was a slightly odd turn for The Horrors to take but one you would have imagined was going to come. They stopped and pondered. They looked at Skying and thought they could make it better. They did. The added sense of rhythm and connection with these songs are brilliant along with the revelation that was Faris’ vocal development and added ability. It just about justified the three year wait and despite not having the effortless soars and sweeps of their previous album, nor the varied and innovative nature of the sublime Primary Colours; it is still a wondrous creation as you’d expect from The Horrors, even if it was weirdly familiar.

7. Warpaint – Warpaint

An accomplished piece of expansive art rock. Despite it’s growing and expanding sounds that they produce with ease; this album usually incorporates a captivating central element to it’s songs that filter out a hopeful atmosphere into a murky and lingering gloom that keeps you perched on the edge of your seat as the trepidation never ceases. At times too, it really has a keen sense of rhythm and stylistic individuality. This isn’t an album for the ‘TV Dinner’ type of listener looking for a loud and crashing quick fix, but a perfect example of production discipline and manipulation around a strange yet keen sense of rhythm.

6. Wild Beasts – Present Tense

Wild Beasts produced an album that remained close and intimate as it kept all the bursts, transitions and awesome shifts in sound right by you; not in a distant and fading manner that is far off and out of reach, but something you felt coarse right through you as it bounces and shoots about your head with every synth glow and crisp riff. On top of this, it has an excellent lyrical dimension to it too which focuses it in even further, whether it’s the pulsating art rock, the sweeping electronica or the wistful ballads of Present Tense.

5. Perfume Genius – Too Bright

Too Bright was bold and remorseless with every track on what was a varied album of fluctuating tones and emotions. Some of the tracks soar high and deliver shivers, crisp and gleaming delivery and dramatics of the soft edged ballads. All of this was done in a consistently slick and stylish fashion whilst not sacrificing any ounce of musical feel or quality which is an ever present throughout the album.

4. Manic Street Preachers – Futurology

All hail the Manics! For they are back and better than ever. These are words I’d never imagined uttering again as I witnessed one of the legendary British bands sink slowly into their comfort zone. Leaving their dynamism and lyrical daring safely in the 1990’s. If last year’s Rewind The Film gave us a clue to this album then it still caught me off guard. They deliver their European sound gloriously and in a fluctuating way with each song as it either enthuses and delights the senses or drops you from emotional highs. Lyrically relevant and challenging as they always have been too. They’ll have to clear a space next to the Holy Bible, Everything Must Go and This is my Truth Tell Me Yours  trio as Futurology is about to join them on that mantle.

3. FKA Twigs – LP1

She has been a revelation and a saviour to pop music this year in much that Daft Punk were pop saviours in 2013. FKA Twigs went about it in a very different way though. She’s blended together parts of hip hop, R&B, electronica and pop melody with an understated, yet confident projection through her delicate, at times whispering vocal, but with complete melody throughout. She’s given the growing sophisticated pop genre a direction and a purpose with this innovative and refreshing album with both modern, relevant music and lyrics to go with it. Now the only problem she has is following this up for it will be a great task.

2. Beck – Morning Phase

Beck makes a long awaited return to steal you dangerously from this planet and into the soaring and unfamiliar unknowns. You don’t pass through each song, but it passes through you. From the quaking, roaring and frightful instrumentals to the warm and radiant expansive ballad, down to the comforting acoustic tracks; this album takes you on a journey like no other album has this year. It evokes so many different emotions that you almost feel empty and cold by the end of some tracks. The best vocal and instrumental delivery of any album so far this year.

1. St. Vincent – St. Vincent

Annie Clark has always given off little bits of wonder and innovation but this album is those things through and through. It’s the only thing you can rely on in this album for it is not linear in any way at all. Whether it is her swooning and creepy harmonious tracks, her synth driven visions, her lyrically marvelling and vocally outlandish tracks or those songs with guitars that pick you up by your collar and throw you into a mass of undulation, fusion, blocky fuzz or melodic distortion; it’s always fresh, urgent and unrelenting. In a time when so many pretenders mindlessly recycle and replay well documented sounds of the past; here you have the sound of progress. The sound of modernity. The sound of 2014.

This Week’s Music Video with FKA Twigs, Elbow, Charlie XCX, Afghan Whigs and Sharon Van Etten