Single Review – Christine and the Queens – Girlfriend

Heloise Letissier as Christine and the Queens returns off the back of a masterful Pop record from 2016. It was minimalistic, energetic and intelligent. In 2018 she looks to start ‘a new chapter’ firstly by striking out most of her stage name in promotional material, leaving the name Chris from it. With regards to this she said “It’s interesting, the process of striking something out, it’s perverting something, but you don’t make it disappear.” Beyond that, her as yet unnamed second album is set to a bold affair that is more up tempo and more elaborate reference pints with a rough edge.

Her latest single ‘Girlfriend’ features Funk artist Dam Funk and certainly ditches the subtlety, heavily laden with Funk instrumentation. There’s no denying that she suits the environment as she effortlessly rolls off each lyric which are raw in their passion as opposed to the intricacies of her debut. It’s a switch also performed with ease. Though she owns the sound, it’s a well worn one and not as uniquely functional as her debut record. You’d still hope for Heloise to inject some inventiveness to marry with her new approach elsewhere in any new album.

Owen Riddle

Single Review – Mura Masa – Second To None feat. Christine and the Queens

Alex Crossan is a 20 year old producer from Guernsey and goes by the name of Mura Masa. His self titled debut studio album is out on July 14th. His suggested talent is matched by the calibre his collaborators for his latest album that include Damon Albarn, A$AP Rocky and for his latest track ‘Second To None’ with Christine and the Queens. Christine or Heloise Letissier when she’s off stage, had shown last year how adaptable and slick her work was in a variety of musical environments and Alex provides another with this track. This track features faux kettle drums, trap drops and distorted beats. This is fused with a broken string sample and from there Christine shines. The heavy, and at times simple arrangement allows her to take command of the song with her imposing accented vocal which fits into the intricate harmonies Alex’s production creates. He even uses her vocals as an added layer of instrumentation in the form of vocal sample. The track is subdued and restrained, yet still retains prominent hooks and a Pop infectiousness. All eyes on his debut album.

Owen Riddle