Single Review – Jagwar Ma – Slipping 


The Sydney recording duo of producer Jono Ma and vocalist Gabriel Winterfield that make up Jagwar Ma will return with their second studio album Every Now & Then on October 14th and as we already know, their 2013 debut Howlin was a brilliant and bold debut. They have since looked set to enhance the psychedelic and dance they plied on their debut with the singles they’ve released so far this year. Now ‘Slipping’ takes over that lead. It opens with hazy electronica and a resonant base sound from which the vocals gently rise. Clarity in these parts of the song grows as the song gradually comes to fruition, with electronic percussion adding a sense of pace to the hazy and unhinged sounds. It becomes pretty standard work from the duo, but it demonstrates a marked improvement in arrangement to match their flair behind their production flair. 

Owen Riddle

Single Review – Jagwar Ma – Give Me A Reason

With 2013’s Howlin, the Sydney based duo of Jono Ma and Gabriel Winterfield proved themselves to be talented producers and forgers of differing sounds. Since then, Australian music has been increasing in both critical and popular stature so it seems only apt that as they support Tame Impala on their tour, they release details of their second album Every Now and Then. They’ve already unveiled the sharp synth acid house style of ‘OB1’ and now they’ve released ‘Give Me A Reason’. This track maintains the tripping rhythms of a Stone Roses track, but is much more fluid with free, meandering synth chords and resonant beats. These single a dance rhythm and echoed Pop vocals. It is a track that seems to initially lack direction, but goes on to grow and flourish as each shift is seamless. A promising album is in the offing.

Owen Riddle

Sunday Suggestion – Jagwar Ma – Man I Need

Jono Ma and Gabriel Winterfield make up Syndey’s Jagwar Ma and with their excellent debut album Howlin became the first album of the year for Musicandotherthingz. Not only was it an eclectic clash of genres within tracks but also across the album, it was also one of the most efficiently produced albums we’ve ever set our ears on and cemented our new fixation on Down Under as the place of dynamic and innovative music. ‘Man I Need’ is one of the standout tracks from Howlin which instantly sets the tone with the psychedelic whirring along with the wide scope and relaxed urgency of the percussion which is pretty typical of a psychedelic style. The slight echo on the drums allow it to fill a lot of space on the song and it acts as the primary element. Guitars enter in a subtle way in the chorus to gradually construct a wall of sound with some little synth flicks in between. Winterfield’s vocals in their tuneful yet shouty style work especially well in the chorus to punch through the subtleness of the instrumentals. The song has been methodically considered and carefully puzzled over as all the elements of the song feature at the exact amounts at which they are needed and despite being all a little soft and subtle, they combine and work with each other to create the big wall of sound. Such attentiveness to detail and to get the exacting amounts of each element spot on is a very skilful thing to do; even more so when Jono Ma has chose these knowing they would combine effectively on the chorus. I recommend you all give this song and the album a listen…. now!

Owen Riddle @oriddleo1995

Top 10 Albums of 2013

Now that I have listed my top ten tracks and now that it is 2014, I’ve decided to roll off my top ten albums from last year. Again, if your favourite artists art present they either didn’t make the cut or weren’t reviewed by me last year; for this is a list compiled from albums that have appeared on the blog in 2013. However, the listing is this time based on the rating I gave each album and not on my current opinion. Anyway…

 

10. Vampire Weekend – Modern Vampires of the City

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The band had certainly tried a few different methods with the pitch shifting which was also used on the drums and the guitar was recorded straight onto the recording programme while various different recording techniques were used to ‘soften’ the album and make it listenable. They have certainly done that and while being very careful with the production. It also has a slight edge to it as well and therefore results in their best album yet. They have grown older and their music has grown with it to create a very unique at times and mature sound.

 

9. Manic Street Preachers – Rewind The Film

Rewind The Film is not too generic and its by no means so experimental and conceptualized that it isn’t relatable or translatable. The lyrics are and music share equal footing and in general it just shows that the Manics are still capable of being truly creative. probably their most complete album since Everything Must Go and This Is My Truth Tell Me Yours in terms of the lyrical challenges posed and the moods and emotions created via their light and airy production.

 

8. Factory Floor – Factory Floor

It’s not too far away from what The Knife did earlier on in 2013, but perhaps it has a more subtle edge to it. For now, it’s main strengths will be it’s ability to fill dance floors as well as sound dark, scathing and haunting. All in all it’s a great effort and was probably worth the long wait we had to endure for a full studio album.

 

7. Daft Punk – Random Access Memories

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Even though tracks like ‘Get Lucky’ have been played to death in 2013; it’s a proper song in how it’s been crafted by musicians, written by musicians, produced by musicians and played by musicians and talented ones at that, with bags of experience. The fact this sort of music is topping the charts whether it’s your thing or not should be celebrated. Thomas Bangalter pointed towards the likes of Rumours by Fleetwood Mac, Dark Side Of The Moon by Pink Floyd and Sgt Pepper from The Beatles as “the ones that take you on a journey for miles and miles.” They all served as some of the several models for creating an album that provides that journey which they have managed to achieve in the sense that you can become engrossed and lost within it. Perhaps it is their best work in how they are more have proved successful with this different approach.

 

6. The Knife – Shaking The Habitual

All in all this album is just beyond me. Even if you don’t quite get some of the songs at first you should listen again and try to deconstruct the wall of different and varying sounds. Some of which fill the song but others leave the songs with lots of space to generate a real atmosphere while at times terrifying me. With this they have challenged the norm’s of modern music to the points where a lot of people won’t appreciate it because they don’t understand it. I think had I reviewed this a month ago, then it would have a much higher rating.

 

5. Connan Mockasin – Caramel

 Though the sound and tone of Caramel isn’t moved and shifted around so much; it would be wrong for that to happen as it would break down the larger flow and feel of the album. It is nearly impossible and it almost feels wrong to plant a mark on it. A surreal and coolly insane and outrageous event from someone being himself, taking risks and being bold.

 

4. Arctic Monkeys – AM

AM falls down on very few occasions and when it does, it’s only to re-envisage some great Desert Rock, Swooning Ballads etc. The rest of it has been new takes on worn out sounds, showing that you can be innovative in what you don’t bring to a song and with at times fluctuating styles within songs. Josh Homme’s presence has for once not been an overbearing one but something that has furthered their vision and aim. It showed everyone what still can be done with guitar music in 2013. I know it can be easy, but don’t let all the crazed fangirls and boys put you off it because it’s an album that maintains a very high standard throughout. I perhaps think that there are some better albums with a lower ranking in this list, but nevertheless it deserves it’s place in the top ten.

 

3. Savages – Silence Yourself

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The musical discipline and obvious talent of all the members is clear to see and they don’t seem to have any hidden agenda or motivation either. They lay everything out in their music alone. Not even in their image. This for me is refreshing and they have left themselves with the difficult task of the second album. But that dreaded phase I doubt will effect them at all. They seem so cool and at ease with their music; behind the urgency and rapid nature of it all and Silence Yourself is the result. Just be sure to take in the depth and meaning of the album too, so don’t judge it on first impressions.

 

2. Pinknoizu – The Drop

All in all this album is highly varied and you should never get bored listening to it. That’s what makes a great album like Sgt Pepper for example. Not only that but the composition and production is also reflective of that variedness that exists across the album. A varied tone that is driven by the mutations and combinations of sounds the Danish group have been able to put together in order to forge new and interesting soundscapes. On top of that; it gets easily manipulated and heightened by the production and recording prowess the group attained. It’s a real treat.

 

1. Jagwar Ma – Howlin

They have justified all the fuss about them for sure to create a very ‘trippy’ album but an album that is almost perfect on a technical level. Jono Ma’s understanding and meticulous attention to detail on getting the right amount of each element in their songs is a great skill to have. The album does go beyond the combination of their past influences to create an album that sounds familiar yet also new and exciting. All this and it’s only their debut album of which many others have very safe and rather dull debuts with perhaps too much focus on the singles. This is not the case with Howlin. Beyond that they have the basic aspects of variation and at times rhythmic affairs intercepted by more sparse musical artistry.

 

 

Tracks of 2013 – Top 10

It is now time to wrap up the year of music 2013 has given us and what better way to start than with my top 10 tracks of the year. Out of the top 10 there have been tracks that have struck me for their imagination, innovation, risk-taking, melodic mastery and so on. They come from worldwide heavyweights to the more obscure crafters of music and they’ve all been picked from those I have looked at, so please don’t despair if there are any missing artists as they might just have passed me by this year.

10. Paul McCartney – Appreciate

 

Yes. He is 71. Yes. It is from his album New. No. It isn’t what you are thinking. If you look upon McCartney’s 2013 album; full of nostalgic forays into the past decades of his career, then you’ll see that the man of innovation and risk taking is still there. Appreciate is a hidden gem within the New album. It’s neo-psychedlica curled around a hip hop beat and it has more freshness about it than many of the young artists releasing music this year. That is either a sign of McCartney’s prowess or a sign of the lack of it amongst the new musicians of today. http://youtu.be/3Aq-iiDXo7I

9. Gaz Coombes – Buffalo

Despite plying his Britpop trade around 20 years ago, Gaz is probably making the most profound and elaborate music of his career. Buffalo is to be a single off his upcoming album which is he is currently working on. If this track is anything to go by then he looks set to expand upon the firm foundations of his debut album from 2012. A dramatic and atmospheric glow as the song progresses through it’s stages of varied tone. http://youtu.be/xi8AH-peorY

8. Arctic Monkeys – Why’d You Only Call Me When You’re High?

They perhaps needed to do something bold and different after many saw their fourth album as their comparative worst effort. What I like about this track is that it’s not obviously crammed with reverbing guitars or with Alex Turner rapidly delivering his vocal around it. There’s no hint of desert rock here either. It’s driven by a different source which gives the song an indelible groove while giving it bags of space for a more developed and tuneful vocal from Alex. Perfect example of less being more in terms of production. http://youtu.be/2spbZbOPu_w

7. Daft Punk featuring Julian Casablancas – Instant Crush

This one of the best tracks off Random Access Memories and it best combines the 70’s and 80’s influences with the typical Daft Punk sound and style. Throw in Julian Casalancas and you have one of the most tuneful and melodic tracks they’ve ever produced. You’re left vulnerable to the plucked, churning of the rhythm much like Andy Summers of The Police produced with Every Breath You Take in 1983. The vocoded vocal is poised in perfect balance to the synths and you can still detect the character of Julian’s voice beneath it. A fantastic piece of electro pop and a change of direction that worked for Daft Punk. http://youtu.be/a5uQMwRMHcs

6. Bombay Bicycle Club – Carry Me

Bombay Bicycle Club

A great progression of their music was suggested with Carry Me. Retaining the elements that make them successful is key and they did that. But the re-evaluation was not only needed but works to great results. A mix of subtlety and sheer boldness. All the fine raw elements clashing with the bold industrial sounds while still forging a great spacious and floating harmony and atmosphere. The result of a complex song being instantly accessible through recording skill. http://youtu.be/OZCfqhRgJ0Q

5. Savages – Husbands

Dark, angry , gritty and everything else. This song features the deep rooted bass line which remains about the only constant throughout. Above it is the grinding and screeching guitars with the clashing percussion. Smashing through it are the snarling and bold vocals that evoke a real raw and emotive feel that is shoved right up into your face http://youtu.be/rmJ_mcvRQsI

4. TOY – Endlessly

TOY followed their debut with a solid second effort in Join The Dots. It gave them a chance to refine and let their sound grow with Endlessly being the prime example of that. That theme of organised chaos holds true again here, yet it is directed into a more distinguished melody which makes it all the more enjoyable. Wonderfully spaced out and atmospheric despite the various elements in action. http://youtu.be/o1Yre4Gmb-E

3. Jagwar Ma – Man I Need

Man I Need’ is one of the standout tracks from Howlin which instantly sets the tone with the psychedelic whirring along with the wide scope and relaxed urgency of the percussion which is pretty typical of a psychedelic style. The rhythm makes an indelible groove, the percussion plies at it too. Also a magnificent clash of influences to create something new. A standout track from a standout album. http://youtu.be/K8KCPw9kYpo

2. The Knife – Full of Fire

This brother and sister duo from Sweden took the traditional notions of song structure, style and context and shredded them into a million pieces. They didn’t just progress their sound to the next level, but to the next light-year. It’s deep, dark and gritty. The industrial grinding of the lower pitched synths and set against the flashing synths sounds above them. The vocals combine with the instrumentals in such a eerie and unfamiliar way that it is at times a wonderfully terrifying experience. The fact it is a ten minute affair only enhances it as you lay on edge at each development of sound. It is almost too advanced to contemplate for some. But at least we now have a possible avenue for musical progression instead of recycling the last 50 years to no end. http://youtu.be/DoH6k6eIUS4

1. Rose Elinor Dougall – Future Vanishes

I have to admit that I initially had this track placed further down the top ten. But only after I listened to all the tracks again did I realise that this song was still ingrained in my mind. It then hit me that this track actually fulfils all the criteria I asked for. It has melodies and hook at every turn, it has a magnificent atmospheric quality to it, imaginative in it’s forms and lyrics and innovative in terms of combining pop and electronic features to a psychedelic track. On top of all this is it’s beautiful contradiction of its self. It can send you into an atmospheric and psychedelic trip into the depths of your thoughts or can leave you at the mercy of it’s rhythm and deep rooted groove. It does everything you ask for. Why shouldn’t this track top my list? Is it because she doesn’t sell out arenas or headline Reading and Leeds, or grace the top of the charts? I don’t think so. That’s not what I’m about, but this song is. http://youtu.be/JUqVhh0kuNA